สล็อต blackhat>tele>@bhseo888

먹튀검증 blackhat seo_tele>@bhseo888

fun88 blackhat seo_tele>@bhseo888

fun88 blackhat seo_tele>@bhseo888

jiliko blackhat seo_tele>@bhseo888

w88 blackhat seo_tele>@bhseo888

w88 blackhat seo_tele>@bhseo888

Martin Amidu: Kissi Agyebeng’s OSP pick people that he thinks he should, rather than pick cases that need to be prosecuted – Voice of London Radio

Martin Amidu: Kissi Agyebeng’s OSP pick people that he thinks he should, rather than pick cases that need to be prosecuted


Facebook

Martin Amidu: Kissi Agyebeng’s OSP pick people that he thinks he should, rather than pick cases that need to be prosecuted

 “Therein is the most dangerous power of the prosecutor: that he will pick people that he thinks he should, rather than pick cases that need to be prosecuted.” R. H. Jackson 

Introduction 

The Special Prosecutor of Ghana, Mr. Kissi Agyebeng does not appear to have learnt the ropes of what it takes to be an experienced investigator and a prosecutor within the institution of law enforcement almost two years after his appointment by the President of Ghana to that august office.

Kissi Agyebeng has refused or failed to learn quickly that the Office of the Special Prosecutor (OSP) was not established as a corporate fisheries entity to go into the oceans, rivers, and other water bodies of crime, casting its net widely to scoop in every fish the net can catch, and then decide which type of fish meets its fancy to be retained as game or food for sacrifice to the gods of persecution and which to release back into the oceans.

The invitation, arrest and bailing of Professor Kwabena Frimpong-Boateng provide the clearest example of Kissi Agyebeng’s inexperience and incompetence as an investigator and a prosecutor for corruption offences. 

The deficiencies in the investigatory and prosecutorial experience of Mr Kissi Agyebeng is what has haunted him into overdrive to think that he can earn the trust of Ghanaians by appearing to talk tough and threatening to investigate and prosecute “Everyone and every person” on mere suspicion of the commission of a corruption offence without first establishing reasonable grounds for such suspicion as though he was on a fishing expedition.

The ethics governing professional investigators as well as prosecutors do not permit such specialized public officers to intimidate and frighten citizens with threats of arrest and prosecution for the generic offence of corruption and corruption-related offences created under the Office of the Special Prosecutor Act, 2017 (Act 959) without indicating to a suspect the specified crime(s) committed or about to be committed within the generic corruption offences. 

There is no crime under Act 959 known as “alleged or suspected corruption and corruption-related offences”. The mandate of the OSP is to “investigate and prosecute specific cases of alleged or suspected corruption and corruption-related offences” (Emphasis supplied).

The specific cases of offences the OSP is enjoined to investigate and prosecute are defined under Section 79 of Act 959. Consequently, the citizen is entitled to know from the invitation letter or at the point of arrest the specific offence of alleged or specified suspected corruption and corruption-related offences for which he is reasonably suspected of having violated. 

The Ghana Police Service which hitherto was responsible for investigating all criminal offences under the Criminal Offences Act, 1960 (Act 29), is not permitted to invite or arrest a citizen for the commission of crime generally without specifying the particular crime or offence for which the citizen is reasonably suspected of commission or about to commit.

The fundamental rights and freedoms of the citizen to fair and impartial investigation and prosecution upon reasonable suspicion of the commission of crime are guaranteed under the Constitution and the Special Prosecutor cannot decide at his whim when and how the guaranteed rights may be enjoyed by the citizen on account of the mandate of his office to investigate and prosecute specified cases of alleged or suspected corruption.

The Special Prosecutor can only earn the trust of the citizen by discharging the functions of his office in accordance with respect for the fundamental rights and freedoms enshrined in the 1992 Constitution, the Office of the Special Prosecutor Act, 2017 (Act 959), the Criminal Offences Act, 1960, the Criminal and Other Offences Procedure Act, 1960 (Act 30), and other laws establishing the functions and powers of other more established law enforcement agencies.

In dealing with corruption and corruption-related offences, an experienced Special Prosecutor would have recognized that the 1992 Constitution specifically established the Commission for Human Rights and Administrative Justice (CHRAJ) as the only independent constitutional body entrusted under Article 218 (a) and (e) with functions to investigate complaints of violations of fundamental human rights and freedoms, injustice, corruption, abuse of power and unfair treatment of any person by a public officer in the exercise of his official duties. The CHRAJ is also charged with investigating all instances of alleged or suspected corruption and the misappropriation of public moneys by public officials. 

Similarly, the Ghana Police Service is also specifically established by the Constitution to “be equipped and maintained to perform its traditional role of maintaining law and order” which includes the investigation of crime. The impression created by Kissi Agyebeng, the Special Prosecutor, that he has the sole responsibility to investigate and prosecute the specified cases of corruption under Act 959 is, therefore, a disingenuous assumption of power which the Constitution has specifically apportioned to the CHRAJ and to the Ghana Police Service.

Kissi Agyebeng’s hurry to gain credibility and the trust of the public without first learning the ropes of what it takes to be an experienced investigator and a prosecutor may have led him into trampling upon the rights of citizens and behaving as though the OSP is a branch of his associated firm of Tiger Eye PI exhibiting gangsterism and instilling fear into the citizenry. 

Citizens who previously appeared before the OSP were cowed into meek submission and terror by the Gestapo and the lawless style of the OSP under Kissi Agyebeng which he entrenched by unconstitutionally staffing the office with poached former clients from the police service, a retired prison officer and businessman, friends and his law firm colleagues dancing to his tyrannic tune without asking any questions.

Professor Kwabena Frimpong-Boateng has proved himself an exceptional, courageous, and patriotic citizen by challenging and making public on 7 June 2023 the arbitrary and oppressive conduct that citizens who appear before Kissi Agyebeng’s OSP face. This discourse will be examining the emerging impunity taking over the OSP since the assumption of office by Kissi Agyebeng without accepting any signed handing over notes from the acting Special Prosecutor indicating his assumption of office. 

The context of the arrest, public reaction, and the rhetorical defence

Gestapo-type persecution or luck-less coincidence 

The arrest and bailing of Professor Frimpong-Boateng on 16 May 2023 upon the instructions of Kissi Agyebeng, the Special Prosecutor, naturally raised questions in the minds of the critical segments of reasonable people as to the timing of Kissi Agyebeng’s actions coming not long after the GTV interview by Frimpong-Boateng on galamsey on 10 March 2023, the referral of the galamsey report by the President to the Police Service on 20 March 2023, and subsequent leakage to the public of the whole Inter-Ministerial Committee on Illegal Mining 

(IMCIM) Report signed on behalf of the Committee by the former Minister for the Ministry of the Environment, Science, Technology and Innovation (MESTI)) and former Chairman of the Inter-Ministerial Committee on Illegal Mining (IMCIM). 

For instance, on June 8, 2023, Ghana Web reported an interview granted by Mr Kwame Pianim, (an elder statesman, respected Ghanaian economist and a founding member of the New Patriotic Party, the governing political party), in which he stated in relation to the disclosures about how Frimpong-Boateng was invited, arrested, and bailed that: 

“I don’t know the (sic) of information the special prosecutor had, such that whatever he [reference to Prof Frimpong-Boateng] did he may run away outside and because of that he needed to prevent, he could have taken his passport? And immediately after it was done, we should have known the charges.

“Are we being made to infer that he is part of the criminal gang that is promoting galamsey? Or what has he done? Or he is related to the defamation or the leaking of the report that he made to the president and the request of the president. “If he did that, I’m not a lawyer but I have been in public life. In America, we have what we call Executive Privileges. A minister talking to his president, you cannot use that as a charge against him for defamation. Mr Gabby Otchere-Darko is an important member of the kitchen cabinet of the president, Capt. Koda is a serious member of our security services and the military.” 

Kissi Agyebeng’s riposte to citizens’ reasonable criticism of his conduct was a defence mounted on JoyNews’ Newsfile on 10 June 2023 contending that the IMCIM had long been under investigation by the OSP following accusations and counter-accusations of suspected corruption against the Committee. True, the moderator of JoyNews’ Newfile did a spirited advocacy for the Special Prosecutor when he introduced the programme by referring to a press release on the website of the OSP dated 10 October 2022 notifying the public that the Office had commenced an investigation into suspected corruption and corruption-related offences in respect of illegal mining. The press release stated, inter alia, that: “The OSP will take necessary action against all persons deemed culpable of corruption and corruption-related offences in the mining sector.” The moderator also referred to a press release dated 2nd May 2023 in the nature of an update stating inter alia that: 

“The OSP welcomes the calls for action and investigations and it assures the public and civil society that its investigation is ongoing and far-reaching and it also covers the matters raised in the report published by the head of the dissolved IMCIM. The OSP will take necessary action against all persons deemed culpable of corruption and corruption-related offences in the mining sector.” 

What the listening public was not told or what was suppressed from the listening public was the fact that between 10 October 2022 when the OSP issued its first press release and its second updated press release on 2nd May 2023 Kwabena Frimpong-Boateng had on 10 March 2023 spoken in an interview with Gifty Adjei on GTV’s “Legends of Our Time”, in which he said when he was asked for his answer on the whereabouts of the 500 excavators that were reportedly missing, inter alia that: 

“There was an orchestrated scheme, even within the party and government, to get me out. Why is it that when I left, everyone is in the forest? I don’t want to go into details now because I have a lot to say about that. Let me tell you that I did not take one excavator for anything; they know the truth. Now things are coming up, we know those who are behind it, the party people who are there, and the people in government, including Jubilee House, who are doing galamsey and so on, even now. So let Frimpong Boateng stay in his corner and enjoy his retirement.” 

Unbeknown to the Special Prosecutor, Kwabena Frimpong-Boateng, the former Minister for MESTI and the former Chairman of the IMCIM, had on 19 March 2021 submitted a 37-page report to the Office of the President accounting for the stewardship of the IMCIM and containing allegations against government officials and political associates who had engaged in galamsey or interfered with the work of the Committee.

The Presidency kept the report as a secret document until the former Minister made references to the report in an interview with GTV on or around 10 March 2023 and excerpts from the report subsequently got leaked in the media. The President’s reaction to the interview and subsequent leakage of the IMCIM report was to refer the report to the Ghana Police Service for investigations on or about 20 March 2023. Frimpong-Boateng was invited by the Ghana Police Service to assist in the investigations and he made available a copy of the report dated 19 March 2021 to the Criminal Investigation Department investigators who invited him. He was not arrested and there was no question of being granted bail. 

Public reaction to government suppression of the IMCIM Report 

Kwabena Frimpong-Boateng’s interview with GTV, the leakage and the subsequent publication of the report in the media evoked in its train scathing criticisms and condemnation of the government for suppressing such a report for two whole years without taking any action to investigate and deal with the serious allegations contained in it. In an attempt to defuse the vitriolic criticism of the conduct of the government in protecting the government officials and associates accused of engaging in and promoting illegal mining, the Government on 25 April 2023 issued a press statement counterclaiming that the report on illegal mining by Prof. Frimpong-Boateng contained a catalogue of grievances amounting to hearsay statements. 

By some lucky coincidence, a day earlier on 24 April 2023, the DailyGuideNetwork reported the developing acrimony between Prof. Frimpong-Boateng and Mr Gabby Asare Otchere-Darko in which Frimpong-Boateng was quoted to have said that: “What saddens me most was when Mr Gabby Asare Otchere-Darko called to defend a company that was actively destroying the environment, especially the forests and River Offin in the Apaprama and Kobro Forests”. It is a matter of notorious public knowledge that Mr. Gabby Asare Otchere-Darko is one of the mentors and promoters of William Kissi Agyebeng for the nomination and appointment as the Special Prosecutor. 

On 25 April 2023, Mr Rockson-Nelson Dafeamekpor, the Member of Parliament for South Dayi, was reported to have petitioned the Commission on Human Rights and Administrative Justice (CHRAJ) to investigate the damning 37-page report on galamsey in Ghana submitted to the Presidency by the former Chairman of IMCIM and former Minister for MESTI, Professor Kwabena Frimpong-Boateng. CHRAJ is the only independent constitutional body entrusted under Article 218 (a) and (e) with functions to investigate complaints of violations of fundamental human rights and freedoms, injustice, corruption, abuse of power and unfair treatment of any person by a public officer in the exercise of his official duties. It is also charged with investigating all instances of alleged or suspected corruption and the misappropriation of public moneys by public officials. 

On Tuesday, 26 April 2023, the Commissioner of the Commission on Human Rights and Administrative Justice, (CHRAJ), Mr Joseph Whittal, acknowledged receipt of Mr Dafeamekpor’s petition in an interview on Ghana Tonight on TV3 and stated, inter alia, that: “We can undertake a panel hearing. We can do that and that’s in the interest of the complainant.” Two days later, on 28 April 2023, the acrimony between Gabby Asare Otchere-Darko and Prof. Frimpong-Boateng coincidentally or by design to preempt the CHRAJ investigations, gave rise to the issuance of a writ of summons and an accompanying Statement of Claim by the former against the latter in Suit No. GJ/0769/2023 date 28 April 2023 for defamation, amongst other reliefs. 

On the same day, 28 April 2023 the Ghana Integrity Initiative (GII), whose Chief Executive Officer (CEO), Linda Ofori-Kwarfo is the handpicked Chairperson of the Board of the OSP, who knew of Mr Dafeamekpor’s petition to the CHRAJ on 25 April 2023, issued a needless statement calling on institutions such as the OSP and the CHRAJ to rebuild public confidence by probing the galamsey report authored by Professor Kwabena Frimpong-Boateng. This statement concluded needlessly by stating that: “GII also intends to formally petition CHRAJ and the OSP to investigate aspects of the report that are corruption-related.” 

The intervention by Linda Ofori-Kwarfo as the Chairperson of the Board of the OSP and CEO of the GII in an alleged ongoing investigation by the OSP shows that the 10 October 2022 press release by the Special Prosecutor had not contemplated the existence of the 19 March 2021 report signed by Frimpong-Boateng. Consequently, Mr Dafeamekpor’s petition to CHRAJ had not been within the contemplation of the 10 October 2022 press release of the OSP giving Mr Dafemekpor the constitutional and legal right to petition the CHRAJ and for it to assume jurisdiction as it did, as the only body mandated under Article 218 of the Constitution to investigate corruption, abuse of power and unfair treatment of any person by a public officer in the exercise of his official duties, and, all instances of alleged or suspected corruption and the misappropriation of public moneys by officials. 

As though Linda Ofori-Kwarfo’s GII needless statement was a call to action from the OSP, the Special Prosecutor woke up from his slumber to issue his belated 2 May 2023 press release in the nature of an update on his 10 October 2022 press release, four days after his political mentor, classmate, and friend, Gabby Otchere-Darko had sued Prof. Kwabena Frimpong-Baoteng for defamation on 28 April 2023 in respect of aspects of the IMCIM report. 

The notorious relationship of Kissi Agyebeng and Gabby Otchere-Darko 

The relationship between Gabby Asare Otchere-Darko, Godfred Dame, and Kissi Agyebeng had dogged the nomination, approval, and appointment of Kissi Agyebeng as the Special Prosecutor. Kissi Agyebeng had also been the personal lawyer for Gabby Asare Otchere-Darko in suit No. GJ/1394/2020 filed on 2 September 2020 in the High Court (General Jurisdiction) Accra in the case of Gabby Otchere-Darko v Sabah Zita Benson for defamation in respect of an “Audio Visual Post on Facebook” dated 29 August 2020 titled – “Family and Friends Agyapa Royalties”. 

At the parliamentary hearing on Thursday, 22 July 2021 to approve or disapprove the nomination of Kissi Agyebeng as the Special Prosecutor to take over from Cynthia Jane Naa Koshie Lampety who had been acting as the Special Prosecutor, Alhaji Muntaka Mubarak asked the nominee whether he was a friend of Mr. Gabby Otchere-Darko. Kissi Agyebeng 

speaking on oath sidestepped this question and answered that: “Gabby is my professional colleague. My firm has represented him in several defamatory cases.” When Kissi Agyebeng was asked about his relationship with the Agyapa Royalties Transaction he replied as quoted by the media that: “I was not involved in Agyapa transaction in any form or manner… “I certainly will investigate the truth of the matter. I was not involved in the deal.” 

The press reportage, particularly with the source as 3news.com, stated that Kissi Agyebeng’s responses were in relation to claims I had made in my article – “Do not defame Martin Amidu in the propaganda to nominate a new Special Prosecutor” dated Thursday 29 April 2021 – stating, inter alia that: 

‘Asaase Radio appears to have been so bent on pressurizing the President to announce their preferred choice as the Special Prosecutor (the Agyapa Special Prosecutor) that it forgot that the nomination letter by the Attorney-General was addressed only to the President. How then did the nomination letter of a new Special Prosecutor come into the public domain to make the rounds in the press? Asaase Radio should also have told the Ghanaian and international public that its surrogate and nominee Special Prosecutor in the published letter is a personal friend and classmate of the Attorney General, and the owner of Asaase Radio all of whom attended the University of Ghana’s Faculty of Law, and Ghana Law School. The independence of the Special Prosecutor from the direction or control of any person or authority in the performance of the functions of his office is the operative statutory words for the nomination of an impartial Special Prosecutor! Not a word with an “ism”’. 

By the use of rhetoric before parliament, Kissi Agyebeng got away with the contention that by virtue of the fact that he is “a personal friend and classmate of the Attorney General, and the owner of Asaase Radio all of whom attended the University of Ghana’s Faculty of Law, and Ghana Law School”, the owner of Asaase Radio and the Attorney-General who promoted his appointment were and are his professional colleagues. Secondly, Kissi Agyebeng got away with the fact that he was the personal lawyer for Gabby Asare Otchere-Darko in suit No. GJ/1394/2020 was filed on 2 September 2020 in the High Court (General Jurisdiction) Accra in the case of Gabby Otchere-Darko v Sabah Zita Benson.

The Writ and Statement of Claim were signed personally by Kissi Agyebeng, Esq, with his personal lawyer’s current licence No. PP00163/20. Cromwell Gray LLP with founding partners as Anas Anas and William Kissi Agyebeng is a partnership and not an incorporated limited liability company for purposes of professional liability. Consequently, Kissi Agyebeng’s answer to parliament at his vetting that: “My firm has represented him in several defamatory cases” was a disingenuous and dishonourable way of sidestepping the question, to say the least. 

Thirdly, the sole subject matter of the suit for defamation that Kissi Agyebeng brought on behalf of his friend, classmate and political mentor, Gabby Otchere-Darko against Sabah Zita Benson, as Kissi Agyebeng endorsed on the Writ of summons, was an “Audio Visual Post on Facebook” dated 29 August 2020 titled – “Family and Friends Agyapa Royalties”. The attached endorsed relief setting forth the defamatory words was made up of five paragraphs of text narrative contained in Sabah Zita Benson’s audio-visual post on Facebook.

And at the time Kissi Agyebeng was answering the questions on oath at his parliamentary vetting the Agyapa Royalties Transaction Report by the OSP that had been submitted to the President and published on 3rd November 2020 showed “the role the President’s cousin who established Africa Legal Associates, and Asaase Radio played with White & Case LLP, of London, one of the foreign law firms in the suspected corruption transaction.” The President’s cousin who established Africa Legal Associates referred to in the Agyapa Report was none other than Gabby Otchere-Darko. 

Kissi Agyebeng was still the lawyer for the plaintiff in the Benson case when he appeared for his vetting and yet looked parliament in the face to say that: “I was not involved in Agyapa transaction in any form or manner… I certainly will investigate the truth of the matter. I was not involved in the deal.” Surely Kissi Agyebeng was not a party to the anti-corruption risk assessment conducted by the office he was being vetted to assume, but how could he tell parliament that he had the fairness and impartiality to investigate any matter contained in the Agyapa Transaction Report in which he had openly taken sides by the issuance of a writ and statement of claim for his friend, classmate, and political mentor?

Kissi Agyebeng knew he did not have the impartiality and independence to investigate the Agyapa Transactions when appointed the Special Prosecutor, but deliberately lied to parliament to secure its approval. Why? Because the Agyapa Royalties Transaction was the subject matter of the defamation suit he filed against Benson leading to his appointment as the Special Prosecutor, since “one good turn deserves another”. 

This is how come to Kissi Agyebeng has turned the Office of the Special Prosecutor into the Office of the Special Protector for his friends and family. Kissi Agyebeng deployed rhetoric to worm his way through the parliamentary approval process and hopes to continue as the Special Protector of his friends and mentors deploying rhetoric in the media. The warnings contained in my article dated 29 April 2021 as to the suitability of Kissi Agyebeng, a surrogate for Gabby Otchere-Darko and the Attorney-General, for appointment as the Special Prosecutor were ignored. I had warned that: 

Asaase Radio and the nominator of the proposed new Special Prosecutor know or ought to have known the extent of the involvement of their surrogate as a lawyer for suspects in pending suspected corruption cases in which the Government showed an undue interest in the Office of the Special Prosecutor which I await to see how independently and impartially those cases will be handled to the conclusion should the President submit the name of the nominee to Parliament, he is approved, and then appointed….The fight against corruption in Ghana has been and is still in State Capture. Mark my words! 

But the worries I entertained as to the fitness of Kissi Agyebeng as a surrogate of his two classmates and friends to exercise the independence, fairness and impartiality demanded of the occupant of the Office of the Special Prosecutor came to be articulated not only by Mr Kwame Pianim but by other eminent members of the public such as Vitus Azeem, Professor Stephen Adei, former Attorney-General Nii Ayikoi Otoo, and many others. CHRAJ’s assumption of the galamsey investigation and OSP’s preemptive arrest and bail 

What vested interest did the Special Prosecutor have in trying to undercut and prevent the CHRAJ from conducting a public panel hearing into Mr. Dafeamekpor’s petition when he, Kissi Agyebeng, knew that he was “radioactive” in as far as any case in his office affecting Gabby Asare Otchere-Darko is concerned? There could be no guarantee that even if he purported to recuse himself from participating in the investigation and prosecution of the case in his office, the public will have confidence that he was not covertly interfering with the investigation. After all, the Special Prosecutor is the Office of the Special Prosecutor and the Office of the Special Prosecutor is the Special Prosecutor. 

It is within the context of the foregoing background knowledge that Kissi Agyebeng’s riposte in defence of his office on JoyNews’ Newsfile on 10 June 2023 that IMCIM had long been under investigation by the OSP following accusations and counter-accusations of suspected corruption sidestepped again, as he did in his parliamentary vetting for an appointment, the fundamental issues of investigatory and prosecutorial ethics with the use of rhetoric instead of facts for argument.

The answer to the questions Kissi Agyebeng was quoted as asking on JoyNews’ Newsfile on 10 June 2023: “What time is the right time for me to direct the head of this dissolved committee to attend to us to answer questions? What time is the best time? I would say that this is a luck-less coincidence,” is a simple one. The right and best time to have directed the head of the dissolved committee to attend the OSP to answer questions was before the report implicating Gabby Otchere-Darko, his mentor for nomination and appointment as the Special Prosecutor, was made public and Gabby Otchere-Darko sued Frimpong-Boateng for defamation on 28 April 2023 based on that report. 

By rushing to assume jurisdiction over the IMCIM report on 2 May 2023 against which a petition had already been lodged with the CHRAJ which had already assumed jurisdiction and announced the holding of a panel hearing open to the public gives the impression of an attempt to subvert the primary constitutional authority vested in the CHRAJ to investigate corruption and thereby to protectively strengthen tangentially and tacitly the claims for defamation by Gabby Otchere-Darko and his cohorts against Frimpong-Boateng. An investigation by panel hearing which is open to the public is more transparent and accountable than the kangaroo investigation to protect people who facilitated the appointment of the Special Prosecutor to that position. 

No volume of rhetoric aided by collaborating political and legal elites in the media can hide the facts of the Special Prosecutor’s indebtedness to those who put him in the position he finds himself, starting with the leak in Asaase Radio of the nomination which was a proposal to the president even before the president could make up his mind whether or not to accept the nomination. The timing of the invitation, the Gestapo style of the arrest and the grant of bail with sureties to Frimpong-Boateng was a clear abuse of power intended to intimidate him and to tacitly support the defamation actions commenced against him by Kissi Agyebeng’s political mentors in the civil court. It is a flagrant abuse of investigatory and prosecutorial powers under the 1992 Constitution and Act 959. 

Chilling unconstitutional fishing expedition tyranny as criminal investigation 

The fact that the OSP which is expected to operate based on reasonable suspicion as a basis for any invitation for alleged or suspected crime, interrogation, and possible detention of the citizen has been unconstitutionally turned into a fishing expedition in which Kissi Agyebeng abuses the investigatory power to fish for suspects to determine whether they can reasonably be suspected of the crime was confirmed in the JoyNews’ Newsfile propaganda discourse arranged for him to deploy rhetoric to defend his conduct. Kissi Agyebeng unwittingly described how he has turned a law enforcement agency into a fishing expedition enterprise as follows: 

“When we start investigating a case we are looking at everybody. You personally, as a member of the public may have your favourite, you may have those you think are so good and so consecrated saints that they become almost untouchable.” “At the end of the day if I weigh the evidence against you and I come to the conclusion that there is nothing then I let you go but in the middle of the investigations, I treat everyone the 

same…Mind you, at the Office of the Special Prosecutor we do not consecrate Saints. No one is a saint to us, no one is an angel as far as we are concerned.” 

The fishing investigative modus operandi of Kissi Agyebeng in his law enforcement tyranny is inconsistent with and in contravention of the fundamental human rights and freedoms guaranteed to every citizen under the 1992 Constitution. Article 14 (1) (g) of the 1992 Constitution, for example, directs and enjoins that every person is entitled to his personal liberty and prohibits the deprivation of any person of his personal liberty except upon reasonable suspicion of having committed or being about to commit a criminal offence under the laws of Ghana. Consequently, a generic invitation to a person of interest as a reasonable suspect for investigation for corruption and corruption-related offence(s) is unconstitutional. The invitation must inform the suspected invitee of the crime he has reasonably been suspected of committing or about to commit. An invitation for investigation for the suspected or alleged commission of an unspecified corruption and corruption-related offence is clearly a fishing expedition and contrary to Article 14 (g) of the 1992 Constitution. 

The Constitution further requires under Article 14 (2) that a person who is arrested, restricted, or detained shall be informed immediately in a language that he understands, of the reasons for his arrest, restriction, or detention and of his right to a lawyer of his choice. It follows from Article 14(2) that the arrest of Frimpong-Boateng in the circumstances narrated by him where he questioned why the Chief Investigator put his left hand on his right shoulder and said, “Professor, you are under arrest” and received the answer that the OSP is investigating corruption and corruption-related activities of the IMCIM of which he was the chairman, was a flagrant abuse of the Constitution. 

Prof. Frimpong-Boateng’s narrative of what happened at the OSP and Kissi Agyebeng’s defence supports the contention that Frimpong-Boateng was targeted and invited in the fishing expedition of the OSP in a purported IMCIM investigation, in which he was unconstitutionally interrogated and then a holding charge created out of the interrogation with which he was cautioned and then bailed to show him where power lies. The former status and position of Kwabena Frimpong-Boateng provided an excellent opportunity for Kissi Agyebeng who has been unable to command the respect of citizens as an experienced investigator and a prosecutor to project a sense of bravado and send chillingly cheap intimidatory and false signals to Ghanaians that he is a no nonsense investigator and prosecutor. 

Apart from the fact that the 1992 Constitution prohibits an investigator or a prosecutor to go on a fishing expedition looking for citizens to implicate in crime as though he was his law partner Anas Anas’ Tiger Eye PI, the Constitution consecrates every citizen as a saint, a favourite citizen, and untouchable, who is presumed innocent until he is proven guilty by a court of competent jurisdiction. This right subsists from the time of reasonable suspicion by any law enforcement agency of the commission by the citizen of crime or being about to commit a crime to his trial and conviction by a court of law. When tyrannical investigators and prosecutors in the mold of William Kissi Agyebeng are let alone, they deploy empty rhetorical performance that signify nothing to confuse the public. The emerging tyranny of William Kissi Agyebeng activates the constitutional and patriotic duty of citizens to respond to those abuses and stop them in their tracks before they destroy this country with a new McCarthyism. Professor Ransford Gyampo rose to this patriotic occasion and duty on 12 June 2023 when he wrote on his Facebook, inter alia, that: 

“I have been pondering over the responses of the Special Prosecutor on Newsfile over the weekend. Though I initially thought the interview brought out some useful information, reflecting on the responses again in more sobriety, makes me a bit worried. Kissi Agyebeng says he doesn’t consecrate saints, and that he is the conscience and soul of Ghana. Not consecrating saints can be interpreted to mean every suspect is a criminal ab initio. But in his own law that he studied, there is a principle that all are innocent or “consecrated saints” until proven guilty. So, where from this new alien legal maxim being propounded and must we allow Kissi Agyebeng to impose it on us as a people?” 

The Ghanaian new McCarthyism which has been evolving as Agyebengism that thrives on public hysteria and fear against corruption is encapsulated in Kissi Agyebeng’s spurious and sweeping explanation on JoyNews’ Newsfile quoted and reported in the media that: 

“See, galamsey is very far reaching as I keep saying it and it has engulfed us as a nation, and so we are leaving no stones unturned. Our gloves are off and we are coming against everyone and every person who we think should be dragged in before us. Everyone and every person!”. 

A drag net for “Everyone and every person” is no law enforcement under the 1992 Constitution but witch hunting Agyebengism, pure and simple. This new Agyebengism provided the pretext for the fishing expedition that “dragged in before” the almighty OSP “Everyone and every person” when Kissi Agyebeng’s political mentor and friend of Asaase Radio fame was allegedly implicated in the IMCIM report to be investigated by the CHRAJ, and who subsequently issued an action for defamation against Prof. Kwabena Frimpong Boateng thereafter. Whether the action for defamation coming after the CHRAJ petition was intended to preempt the pending CHRAJ panel investigation is difficult to answer and better left to the individual’s conjecture. 

McCarthyism has no scruples for constitutions and laws but for only cheap popularity. So is the Agyebengism of our time, otherwise he would have washed his hands off the IMCIM report which the President had referred to the Ghana Police Service for investigation and which Mr. Dafeamekpor had petitioned the sole independent constitutional institution entrenched in the Constitution to investigate corruption and abuse of power and office by public servants. Kissi Agyebeng admits that the remit of the OSP is limited to corruption offences specifically provided for under Act 959, so why does he preempt the wider investigatory powers vested in the CHRAJ and the Ghana Police Service to investigate all the reasonably suspected crimes disclosed in the IMCIM report from being exercised by them in rushing to invite suspects on the aspect that implicates his political mentors? 

A former Attorney-General, Nii Ayikoi Otoo, hit the nail on the head in an interview to 3news when he described the arrest and bailing of Kwabena Frimpong-Boateng as a “bizarre act” and added that: “It is diversionary, that is my view.” But that is what McCarthyism was about and the new Agyebengism is a copycat McCarthyism. The new Agyebengism leaves reasonable citizens who reflect on Kissi Agyebeng’s “responses again in more sobriety”, to borrow Professor Gyampo’s phrase, to be more worried at the looming tyranny represented by the OSP which Kissi Agyebeng has turned into the Office of the Special Protector with himself as the Special Protector of his friends, mentors, political, and media associates. 

The difference between the Ghana Police Service, and the CHRAJ as law enforcement institutions within the established entities named in the Constitution on the one hand and the statutory OSP on the other hand, is demonstrated by how they each treat persons or suspects who appear before them on reasonable suspicions of having committed or being about to 

commit a crime. Professor Kwabena Frimpong-Boateng was invited by the Ghana Police Service/CID to assist investigations into the IMCIM report referred to it by the President on 20 March 2023. The Ghana Police Service, a well-established law enforcement entity with decades of investigatory experience did not consider him a flight risk and therefore did not arrest him but let him go to be invited if he was needed. 

Kwabena Frimpong-Boateng, was also reported to the CHRAJ on 5 February 2019 by one Arnold Agbodo as the complainant in the matter of a complaint of contravention of Chapter 24 of the 1992 Constitution and causing financial loss to the State. The petition alleged conflict of interest against him as the Chairman of the IMCIM in respect of two mining concession by Symphony Limited in which he and his wife were alleged to have an interest. The investigation, findings, and decisions of the CHRAJ were completed in March 2023 after Frimpong-Boateng had ceased to be a Minister of State on 6 January 2020 but the CHRAJ did not consider him a flight risk to arrest and bail him for his continued appearance for the hearings. 

I chaired the PNDC National Investigation Committee (NIC) Sub-Committee that investigated the Cotton Development Board in 1982. I also chaired the NIC – Sub-Committee that investigated the Social Security Bank (SSB) in 1988 while I was PNDC Deputy Secretary to the Volta Region. I was the Deputy Attorney-General for upwards of twelve years with responsibility for directing investigations and prosecutions in the Attorney-General’s Department from October 1988 to 6 January 2001 and a member of the Police Council during that period. I also became the Minister for the Interior with additional responsibility as the Minister for Security and Intelligence before I became an Attorney-General. I operationalized the existence of the OSP as an office and was its founding Special Prosecutor. The basic principle in investigations I internalized from the literature and experience over these years is that one arrests and bails a suspected person when he presents a flight risk or is suspected to likely evade making himself available to assist the investigation when he is needed until a decision is made whether to charge him for a reasonably established suspected offence for possible prosecution in a court of law. 

Kissi Agyebeng was unable to point to any reasonable suspicion on his part that Kwabena Frimpong-Boateng presented a flight risk if he was not arrested and granted bail with sureties. The “Everyone and every person” drag net theory of investigation Kissi Agyebeng espouses is a remanent of the bygone Hitler’s Gestapo tactics which Agyebengism is dangerously reintroducing into law enforcement in Ghana. It is a pernicious canker on our Constitution and democracy to be excised immediately before it festers and infects the fabric of decent law enforcement and criminal justice administration. All patriots, therefore, need to join Professor Gyampo to ask the question that nips Agyebengism as canker in the bud – “So, where from this new alien legal maxim being propounded and must we allow Kissi Agyebeng to impose it on us as a people?” OSP’s reaction to the public disclosure of its tyrannical methods of arrest and bail 

When the public reacted nauseatingly to the abuse of power by Kissi Agyebeng for arresting and bailing Frimpong-Boateng without any evidence of his being a flight risk despite the established Police Service and CHRAJ deciding to the contrary on the same matter, he deployed rhetoric and blamed Prof. Kwabena Frimpong-Boateng for exercising his constitutional right to liberty in making public his arbitrary arrest and bail. Hear the tyrant saying that Prof Frimpong-Boateng was invited by the OSP on May 16 as “a person 

necessary for the investigations” into suspected corruption and corruption-related offences in respect of the activities and expenditure of the dissolved IMCIM.” This was followed by unbridled impunity when he stated that: 

“Had the Professor not come out to grant interviews, you wouldn’t have known that he has come to us weeks ago. Since I become (sic) Special Prosecutor in August 2021, I don’t put out these things unless you give me cause. For instance, we’ve directed you to show up and you are not showing up, I will declare you a wanted person.” 

Kissi Agyebeng has been tyrannizing citizens presumed innocent under the constitution previously without any of them exercising his constitutional right to free speech on the matter, therefore, Frimpong-Boateng should have kept quiet over the oppression and arbitrariness he suffered at the OSP acting politically for the Special Prosecutor’s mentors and associates in government. The answer to the tyrannic conduct of Kissi Agyebeng in thinking that every citizen must submit to his oppression by not making public what now goes on in the Office of the Special Prosecutor he has turned into the Office of the Special Persecutor or Protector was given by one of my late friends, an honest man of integrity and one of the greatest Justice of the Supreme Court of all time, Mr. Justice N. Y. B. Adade when dealing with an assertion that a court had been sitting as a court of five all the time and no one had raised a finger as justification for unconstitutional conduct. Mr. Justice Adade said: 

“That does not mean that a finger can never be raised. It has been raised now, and we can not force it down. If in my reckoning, an error was committed then, there is no reason why that error should be perpetuated simply because it has been done with impunity…” 

Ghana needs indeed to thank Professor Kwabena Frimpong-Boateng for his patriotism in making public the arbitrary conduct that takes place at the OSP when citizens who are presumed saints, favourites of the Republic and innocent until proven guilty in a court of law answer the invitation of this Special Prosecutor who is really a Special Persecutor or Protector in disguise when the vested interests of his mentors are at stake. Kwabena Frimpong-Boateng has raised his finger and Kissi Agyebeng cannot force it down with mere rhetoric. 

The danger of the new anti-corruption McCarthyism and placid media cronyism 

Kissi Agyebeng knows that ordinary citizen fears the stigma of the public knowing that they have been invited and arrested for the non-existing generic offence of corruption and corruption-related offences and assumed that Professor Frimpong-Boateng will be part of the fearful herd. I know other citizens who have suffered the oppression of this Special Persecutor and are bearing it in silence for fear of stigmatization and victimization. This is the time for citizens to stand up and defend their fundamental rights and freedoms bestowed upon them by the Constitution against the new Agyebengism by emulating Professor Frimpong-Boateng and raising their fingers now. 

The JoyNews’ Newsfile programme and other programmes featured by it in promoting and defending the indefensible conducts of the new Agyebengism entrenches the tyranny of the Office of the Special Prosecutor now turned into the Office of the Special Persecutor and Protector. I have watched the whole propaganda video of 10 June 2023 which passed for the Newsfile programme. When I listened to how the subject matter for the discussion was introduced selectively, the guest praised to high heavens, and leading questions asked to elicit what appears to be already agreed and rehearsed responses, I wondered whether politico-legal 

elitism and cronyism has not invaded the Ghanaian media in the name of educating the public. I do not know whether the public made meaning out of it, but I was shocked by the fact that the programme could only invite former undergraduate students of the Special Prosecutor to discuss the propriety of his actions in trampling on the fundamental rights and freedoms of Kwabena Frimpong-Boateng. 

The two panel members on the issue ended up being former undergraduate students of Kissi Agyebeng and later criminal defence lawyers who with the moderator of the Newfile programme prided themselves in joining Kissi Agyebeng in challenging a previous conduct of a law enforcement institution against their clients. A third former undergraduate student of Kissi Agyebeng who also became a lawyer was invited on phone and as expected joined the chorus of praise for their former teacher. After watching the whole video of the Newsfile programme I asked myself whether a good investigator must necessary be a lawyer and whether Ghana did not produce more recognized and experienced investigators and prosecutors who had no undergraduate association with Kissi Agyebeng to have been invited on such an important subject touching on the fundamental rights and freedoms of the citizens? 

But when I recollected how the programme deployed the wings of OSP’s eagle and national anthem in Twi as an advertisement for the office to put fear in the public, I concluded that the Newsfile programme of 10 June 2023 passed for a prior arranged free propaganda piece in defence of a beleaguered colleague legal and political elite no matter whether he was right or wrong in his conduct that was the subject of intense public criticism. Inviting independent minded, unbiased, and experienced investigators and prosecutors would have given away the game to protect Agyebengism as the new dictatorship in law enforcement. 

The danger with the media lending itself wittingly or unwittingly to promoting the new Agyebengism as a form of McCarthyism in the fight both against galamsey and corruption is that it negates the freedom and independence of the media enshrined in Chapter Twelve (12) of the 1992 Constitution. History does not repeat itself but it rhymes. The history of McCarthyism in the United States of America is there for the legal cum journalist practitioners to learn from. Like it or not, the fight against corruption is not an opportunity for hysteria, entrepreneurship, retribution, and the emergence of a new McCarthyism to be called and styled Agyebengism in Ghana. 

CONCLUSIONS The preceding examination and analysis of the circumstances leading to the arrest and bailing of Professor Frimpong-Boateng who was not demonstrably a flight risk leads to the irresistible conclusion that the deficiencies in investigatory and prosecutorial experience of Mr. Kissi Agyebeng is what had haunted him into overdrive to think that he can earn the trust of Ghanaians by appearing to talk tough and threatening to investigate and prosecute “Everyone and every person” on mere suspicion of the crime of corruption without first establishing reasonable grounds for such suspicion as though he was on a fishing expedition and was a branch of his law partner Anas Anas’ Tiger Eye PI exhibiting gangsterism and instilling fear into the citizenry. 

The foregoing discourse has also shown that by rushing to assume jurisdiction over the IMCIM report on 2 May 2023 against which a petition had already been lodged with the CHRAJ on 25 April 2023 which had already assumed jurisdiction and announced the holding 

of a panel hearing open to the public, the OSP gave the impression of an attempt to subvert the primary Constitutional authority vested in the CHRAJ under Article 218 thereof to investigate corruption and thereby to protectively strengthen tangentially and tacitly the claims for defamation by Gabby Otchere-Darko and his cohorts against Frimpong-Boateng. 

This discourse has further contended that a drag net for “Everyone and every person” is no law enforcement under the 1992 Constitution but witch hunting Agyebengism, pure and simple. This new Agyebengism provided the pretext for the fishing expedition that “dragged in before” the almighty OSP “Everyone and every person” when Kissi Agyebeng’s political mentor and friend of Asaase Radio fame was allegedly implicated in the IMCIM report to be investigated by the CHRAJ, and who subsequently issued an action for defamation against Prof. Kwabena Frimpong Boateng. 

It has further been demonstrated hereinbefore that no volume of rhetoric aided by collaborating political and legal elites in the media could have hidden the facts of the Special Prosecutor’s indebtedness to those who put him in the position he finds himself starting with the leak in Asaase Radio of the nomination which was a proposal to the president even before the president could make up his mind whether or not to accept the nomination. The timing of the invitation, the Gestapo style of the arrest and the grant of bail with sureties to Frimpong-Boateng was, consequently, a clear abuse of power intended to intimidate him and to tacitly support the defamation actions commenced against him by Kissi Agyebeng’s political mentors in the civil court. It constituted a flagrant abuse of investigatory and prosecutorial powers under the 1992 Constitution and Act 959. 

The contention in this discourse insists that when tyrannic investigators and prosecutors in the mold of William Kissi Agyebeng are let alone, they deploy empty rhetorical performances that signify nothing to confuse the public. The emerging tyranny of William Kissi Agyebeng is a signal for the activation of the constitutional and patriotic duty of citizens to respond to the abuses of investigatory and prosecutorial power and stop them in their tracks before they destroy this country with a new McCarthyism. 

This conversation has shown the difference between the Ghana Police Service, and the CHRAJ as law enforcement institutions within the established entities named in the Constitution on the one hand and the OSP on the other hand, by how they each treat persons or suspects who appear before them on reasonable suspicions of having committed or being about to commit crime who do not pose a flight risk. The OSP arrests and bails them to intimidate “Everyone and every person” whilst the Police and CHRAJ do not. 

The foregoing discourse also concludes that the danger with the media lending itself wittingly or unwittingly to promoting the new Agyebengism as a form of McCarthyism in the fight both against galamsey and corruption is that it negates the freedom and independence of the media enshrined in Chapter Twelve (12) of the 1992 Constitution. History does not repeat itself but it rhymes. The history of McCarthyism in the United States of America is there for legal cum journalist practitioners to learn from. Like it or not, the fight against corruption is not an opportunity for hysteria, entrepreneurship, retribution, and the emergence of a new McCarthyism to be called and styled Agyebengism in Ghana. Ghana shall outlive tyranny! 

Martin A. B. K. Amidu 
June 29, 2023 

news-1701

yakinjp

yakinjp

maujp

Mengapa Karakter Naga Banyak Digunakan dalam Game Asia Menelusuri Inspirasinya di Surakarta

Wild Bandito dan Lucky Neko Memiliki Gaya Artistik Berlawanan Perbandingan dari Pengguna Kediri

Multiplier Tinggi Tidak Selalu Berarti Hasil Besar Penjelasan Matematika yang Dibahas di Tanjungpinang

Princess Starlight Menyoroti Peran Karakter dalam Desain Hiburan Interaktif di Kota Tarakan

Warga Pati Menelaah Mengapa Tangkapan Layar Kemenangan Tidak Bisa Menggambarkan Seluruh Hasil Permainan

Dari Simbol hingga Animasi Perubahan Mahjong Digital Menjadi Perbincangan di Kabupaten Garut

Sweet Bonanza dan Gates of Olympus SamaSama Populer tetapi Berbeda dalam Tema serta Mekanisme di Kota Batu

Lucky Neko Mengangkat Simbol Kucing Jejak Tradisi yang Menarik Ditelusuri di Kabupaten Gianyar

Mengapa Efek Cahaya Sering Digunakan dalam Game Pengamatan Desain dari Kota Pekalongan

Mahjong Ways di Era Ponsel Pintar Bagaimana Antarmuka Membentuk Cara Pengguna Membaca Informasi di Dumai

Warga Kabupaten Bantul Mengungkap Perbedaan Mahjong Tradisional dengan Versi Hiburan Digital

Gates of Olympus dan Kisah Zeus Seberapa Dekat Penggambaran Game dengan Mitologi Yunani

Sweet Bonanza Super Scatter dan Cara Memahami Fitur Bonus Tanpa Mengandalkan Prediksi di Kabupaten Subang

Wild Bandito di Kabupaten Nganjuk Menghadirkan Nuansa Petualangan melalui Komposisi Warna yang Berani

Pengguna Kota Palu Mengkaji Mengapa Cerita Kemenangan Lebih Cepat Menyebar daripada Statistik Lengkap

Princess Starlight di Kabupaten Wonosobo dan Cara Tema Fantasi Membangun Identitas Visual

Mahjong Wins Memperlihatkan Efek Berantai yang Dramatis Namun Apa Penjelasan di Balik Mekanismenya

Warga Kabupaten Gowa Menelusuri Asal Inspirasi Simbol Keberuntungan dalam Game Bertema Asia

Wild Bandito di Kabupaten Majalengka Membawa Gaya Koboi ke Format Hiburan Seluler

Bukan Semua Simbol Memiliki Fungsi Sama Pengguna Kabupaten Sidoarjo Mempelajari Struktur Mahjong Ways

Mengapa Tema Permen Banyak Diminati dalam Desain Game Perspektif Visual dari Kota Mataram

Lucky Neko di Kabupaten Sukoharjo Menjadi Contoh Adaptasi Simbol Budaya ke Media Interaktif

Gates of Olympus di Kabupaten Gresik Memunculkan Diskusi tentang Perbedaan Peluang dan Ekspektasi

Princess Starlight dan Permainan Bertema Mitologi Dua Cara Berbeda Menghadirkan Dunia Imajinatif

Pengguna Kota Kendari Menelusuri Peran Musik dalam Membentuk Pengalaman Bermain di Perangkat Seluler

Mahjong PGSOFT di Kabupaten Jepara Perpaduan Ornamen Tradisional dan Teknologi Visual

Wild Bandito di Kabupaten Paser Memperlihatkan Bagaimana Karakter Membantu Membangun Cerita

Sweet Bonanza di Kabupaten Kapuas Mengundang Pertanyaan tentang Pengaruh Animasi terhadap Persepsi Pengguna

Mengapa Simbol Emas Terasa Menonjol Analisis Warna dalam Game Digital dari Kota Lhokseumawe

Lucky Neko dan Filosofi Kucing Pembawa Hoki Perspektif Budaya dari Kabupaten Tabanan

Warga Kabupaten Purbalingga Membahas Kesalahpahaman tentang Anggapan Pola Gacor yang Bisa Dipastikan

Gates of Olympus Menggunakan Efek Petir sebagai Identitas Bukan Petunjuk untuk Putaran Selanjutnya

Mahjong Ways 2 di Kabupaten Klaten Memperlihatkan Perkembangan Tata Letak dan Efek Simbol

Peran Simbol Wild dalam Menyusun Kombinasi Kemenangan di Larantuka

Sweet Bonanza Versi Batam Mengenal Sensasi Tumble dengan Animasi yang Dinamis

Memahami Volatilitas untuk Menghindari Kesalahan Strategi dalam Permainan di Tanjungpinang

Mahjong Wins 3 Pontianak Kisah Menarik tentang Fitur Scatter dalam Permainan

RTP Live dan Tren Gacor di Singkawang Menelaah Angka serta Informasi yang Beredar

Free Spins dengan Multiplier Tinggi di Sintang Mengenal Mekanisme Fitur Bonus

Komunitas Ketapang Membahas Momen Maxwin Terbesar yang Pernah Tercatat

Sistem RNG di Samarinda Memahami Pengaruhnya terhadap Keacakan Simbol

Mahjong Wilds Medan Mengulas Keunikan Mekanisme Cluster Pays

Mahjong Ways 2 Surabaya Menelusuri Tren Gacor pada Malam Minggu

Volatilitas dan Pola Kemenangan di Bandung Memahami Hubungan Keduanya

Cerita Player Semarang saat Menemukan Simbol Scatter Hitam

Gates of Olympus di Makassar Bagaimana Fitur Tumble Membentuk Dinamika Permainan

Mahjong Wins Palembang Menilik Fitur Free Spins yang Paling Dinantikan

Game PG Soft di Yogyakarta Membahas Faktor di Balik Nilai RTP yang Tinggi

Starlight Princess 1000 di Wilayah Denpasar Mengenal Fitur Multiplier x1000

Pola Gacor dan Tips Bermain Aman Pembahasan untuk Komunitas di Malang

Mahjong Ways 3 Pekanbaru Pengalaman Pemain dalam Memahami Fitur Maxwin

Simbol Scatter dan Wild di Balikpapan Perannya dalam Mengaktifkan Fitur Bonus

Memahami Sistem RNG dan Prinsip Keacakan Putaran dalam Game di Pontianak

Mahjong Wins 3 Batam Membahas Kemunculan Scatter Hitam dan Persepsi Keberuntungan

Tren Gacor Mahjong Ways Kembali Menjadi Perbincangan di Kalangan Player Bogor

Mahjong Wins 2 Surakarta Mengulas Fitur Free Spins yang Menarik Perhatian

Gates of Olympus Versi Bandar Lampung Membahas Momen Maxwin Spektakuler

Tingkat Volatilitas dan Hasil Sesi Permainan Kajian dari Kota Padang

Sweet Bonanza 1000 Wilayah Samarinda Mengenal Mekanisme Tumble Beruntun

Angka RTP Harian di Banjarmasin Memahami Informasi untuk Mengenali Karakteristik Game

Simbol Multiplier dan Petir Zeus di Manado Menelusuri Daya Tarik Elemen Visual

Game Modern di Mataram Mengulas Keistimewaan Fitur Cluster Pays

Strategi Membaca Pola Gacor ala Gamers Profesional dalam Perbincangan di Cirebon

Mahjong Ways Bekasi Mengenal Fitur Free Spins dengan Kemunculan Simbol Emas

Mahjong Wins 3 Wilayah Tangerang Mengulas Fenomena Maxwin yang Tidak Terduga

Volatilitas dan Durasi Bermain di Depok Memahami Pengaruh Karakteristik Permainan

Komunitas Serang Berbagi Pengalaman tentang Fitur Scatter Hitam

Starlight Princess di Purwokerto Faktor di Balik Popularitas Fitur Multiplier Besar

Tren Gacor dan RTP Live di Tasikmalaya Membahas Informasi yang Beredar di Komunitas

Mahjong Wins 2 Jambi Mengulas Momen Menegangkan saat Fitur Free Spins Aktif

Mahjong Ways 2 Bengkulu Memahami Kombinasi Simbol dan Mitos tentang Maxwin

Sistem RNG dan Keacakan Simbol pada Game Online Pembahasan dari Cimahi

Tumble Beruntun di Salatiga Memahami Mekanisme Permainan dan Persepsi Kemenangan Besar

bandung kajian desain responsif starlight princess konsistensi visual perangkat mobile

super scatter mengubah cara simbol dinamis menyampaikan informasi pengguna digital kabupaten sleman

wild bandito pengaruh desain audio terhadap persepsi interaksi pengguna kota surabaya

evolusi desain berbasis sentuhan sweet bonanza pengalaman hiburan digital masyarakat semarang

lucky neko studi adaptasi ikon tradisional antarmuka modern kota yogyakarta

teknik parallax wild west gold penerapannya pengembangan latar digital kabupaten gianyar

gate of olympus kajian komputasi grafis menghasilkan efek visual kompleks kota medan

perubahan budaya informasi kode alam togel perspektif arsip digital kabupaten jember

mahjong wins tantangan otomatisasi pengujian perangkat lunak bagi pengembang kota makassar

optimalisasi aset grafis black scatter menjaga performa aplikasi mobile kabupaten badung

kota malang wild west gold menjadi objek kajian strategi hybrid cloud operasi digital

memantau skor parlay melalui dashboard real time perspektif pengelolaan informasi olahraga kota balikpapan

mahjong ways 2 pendekatan pengelolaan anggaran hiburan secara terencana kota tangerang

gates of olympus perspektif batas durasi interaksi penggunaan fitur kabupaten bantul

mengapa kondisi emosional perlu diperhatikan kajian perilaku pengguna mahjong wins kota pontianak

ramalan shio pemanfaatan metadata distribusi konten digital kabupaten klungkung

narasi visual treasure of aztec hubungannya pengalaman eksplorasi digital kota palembang

mahjong ways kabupaten garut membaca representasi data batas interpretasi pola permainan

transformasi digital industri hiburan adaptasi fitur mahjong wilds kota pekanbaru

konsistensi desain starlight princess smartphone desktop kajian pengalaman pengguna kota cirebon

super scatter perkembangan representasi fitur antarmuka permainan digital kabupaten tabanan

pengembangan karakter wild bandito pengalaman mobile modern tinjauan desain kota kupang

mahjong wins kota bogor tantangan pengelolaan memori perangkat spesifikasi beragam

analisis struktur reels sweet bonanza elemen visual sistem hiburan interaktif kabupaten magelang

black scatter desain ikon mempercepat pemahaman informasi visual kota mataram

kabupaten purworejo starlight princess menjadi contoh kajian optimasi gambar layar resolusi tinggi

wild bandito penerapan umpan balik visual memperjelas respons antarmuka kota jambi

kota samarinda perspektif desain antarmuka mengkaji keterbacaan simbol mahjong ways 2

sweet bonanza peran animasi ringan menjaga kelancaran pengalaman mobile kabupaten bekasi

lucky neko kota kediri menelusuri hubungan ornamen tradisional identitas visual digital

treasure of aztec komposisi simetris mengarahkan perhatian pengguna kabupaten banyuwangi

pengaruh kecepatan animasi wild bandito terhadap kenyamanan interaksi pengguna kota tasikmalaya

starlight princess kajian tipografi adaptif antarmuka mobile kabupaten karangasem

mahjong wins pengujian kompatibilitas antarmuka berbagai versi sistem operasi kota manado

super scatter kabupaten buleleng mengkaji peran motion design menjelaskan perubahan status visual

gate of olympus penggunaan cahaya digital membentuk kedalaman visual kota padang

ketika hasil acak tampak berurutan warga kabupaten bangka membahas cara otak mengenali pola

mahjong pgsoft kabupaten pasaman barat pentingnya memahami aturan sebelum menggunakan layanan

gates of olympus kota bengkulu membahas risiko mengejar hasil belum dapat dipastikan

sweet bonanza kabupaten labuhanbatu bagaimana animasi memengaruhi persepsi pengguna

mengapa tangkapan layar tidak menggambarkan seluruh pengalaman sudut pandang komunitas digital kota blitar

lucky neko kabupaten karangasem mengamati transformasi simbol budaya media modern

wild bandito kabupaten garut menelusuri peran musik menciptakan suasana permainan

mahjong ways 2 kota cilegon pentingnya memisahkan informasi resmi klaim komunitas

multiplier besar bukan jaminan bebas risiko penjelasan matematika warga kabupaten batang

princess starlight kabupaten tapanuli selatan mengamati evolusi tema fantasi game digital

sweet bonanza gates of olympus perbandingan penyajian fitur bonus dua permainan

warga kota sibolga mengulas alasan pengalaman individu tidak bisa mewakili semua hasil

mahjong wins kabupaten tanah datar membahas keterbatasan prediksi sistem acak

lucky neko kabupaten minahasa utara hubungan simbol hewan tradisi budaya populer

wild bandito kota palembang peran ilustrasi membentuk karakter visual permainan

bagaimana algoritma acak beroperasi warga kabupaten dharmasraya mengenal konsep dasarnya

gates of olympus kabupaten nias selatan memahami perbedaan peluang kepastian

sweet bonanza kabupaten kolaka utara pentingnya memahami ketentuan fitur bonus

mahjong pgsoft kota prabumulih cara desain digital mengolah inspirasi tradisi

lucky neko kabupaten lombok timur menelusuri popularitas karakter kucing budaya modern

wild bandito princess starlight perbedaan cara membangun dunia imajinatif permainan

pengguna kota metro membahas mengapa durasi jam bermain tidak menjamin hasil menguntungkan

mahjong ways kabupaten kutai kartanegara mengulas hubungan desain permainan persepsi pola

sweet bonanza kota ternate peran warna cerah menciptakan daya tarik visual

gates of olympus kabupaten serdang bedagai memahami mengapa multiplier tidak sama kepastian hasil

lucky neko kabupaten lampung selatan perpaduan identitas jepang gaya animasi kontemporer

mahjong wins kabupaten kubu raya mengamati kebiasaan berbagi pengalaman melalui media sosial

wild bandito kabupaten pamekasan bagaimana tema petualangan membentuk identitas visual

princess starlight kabupaten banyuasin menelaah pengaruh musik cahaya terhadap pengalaman digital

sweet bonanza kabupaten kutai timur memahami mengapa hasil sebelumnya tidak menentukan hasil berikutnya

mahjong ways kota banjarbaru membedakan fungsi simbol dekoratif simbol fungsional

lucky neko kabupaten indragiri hulu mengkaji daya tarik simbol keberuntungan perspektif budaya

gates of olympus kabupaten aceh tengah menentukan batas hiburan ekspektasi finansial

wild bandito kabupaten buru selatan mengulas fungsi ilustrasi menyampaikan tema permainan

mahjong pgsoft kabupaten konawe menelusuri transformasi unsur tradisional media digital

pemodelan mahjong ways menganalisis konsistensi frekuensi simbol data simulasi

observasi mahjong ways 2 mengkaji variansi outcome serangkaian percobaan

studi gates of olympus mengulas distribusi multiplier berdasarkan sampel hasil putaran

uji sweet bonanza membandingkan frekuensi kombinasi berbagai sesi

analisis starlight princess meninjau pola distribusi freespin melalui data simulasi

pemetaan lucky neko mengamati fluktuasi simbol interval pengamatan berbeda

simulasi pg soft mengkaji keterkaitan variansi frekuensi outcome permainan

kajian pragmatic play memetakan karakteristik distribusi simbol berdasarkan sampel data

observasi microgaming mengkaji sebaran hasil serangkaian percobaan acak

pemodelan playtech mengevaluasi frekuensi aktivasi fitur khusus sampel data

studi netent menganalisis dinamika volatilitas selama periode pengamatan

analisis mahjong wins memetakan sebaran multiplier serangkaian simulasi

uji bonanza gold membandingkan outcome berdasarkan perbedaan interval pengamatan

kajian scatter hitam mengevaluasi frekuensi aktivasi fitur data permainan

studi game online menganalisis pengaruh persepsi risiko terhadap proses pengambilan keputusan

pati menjadi sorotan saat komunitas mengulas evolusi estetika visual mahjong ways

keterkaitan simbol scatter putaran gratis pembahasan mahjong wins kalangan pengamat klaten

mengapa pg soft terus mengembangkan identitas visual mahjong digital menurut komunitas blora

pengamat desain ungaran membandingkan nuansa visual pragmatic play mahjong karya pg soft

komunitas kreatif temanggung menyoroti perpaduan budaya asia animasi mahjong ways 2

evolusi simbol tradisional tampilan digital menurut pengamat game rembang

mengupas daya tarik animasi mahjong ways 2 bersama komunitas digital wonosari

ragam perspektif penggemar mahjong perubahan desain visual bantul

sleman perbincangan simbol scatter hitam menjadi identitas mahjong wins 3

perjalanan pragmatic play menghadirkan tema mahjong diskusi komunitas wates

perbandingan karakter visual mahjong ways mahjong wins menarik perhatian pengamat boyolali

komunitas sragen menelusuri perkembangan teknologi grafis game mahjong digital

mengapa simbol bonus mahjong wins 3 sering menjadi bahan diskusi wonogiri

karanganyar mengulas perpaduan warna animasi simbol mahjong ways

catatan pengamat digital purwodadi perkembangan tema asia karya pragmatic play

ubin emas hingga scatter elemen visual mahjong ways dibahas komunitas cepu

bojonegoro menyoroti perubahan tren percakapan mahjong wins forum digital

sentuhan naga ornamen klasik mahjong wins 3 menurut komunitas tuban

lamongan menjadi ruang diskusi kreator konten fitur putaran gratis mahjong ways 2

kebangkitan popularitas mahjong ways percakapan komunitas digital gresik

pengamat visual sidoarjo mengulas filosofi desain naga mahjong wins 3

strategi desain pragmatic play mengembangkan tema mahjong menurut komunitas mojokerto

cerita scatter viral pengaruhnya terhadap perbincangan mahjong ways jombang

nganjuk membahas cara pg soft mengadaptasi unsur budaya klasik format digital

perbedaan nuansa visual mahjong wins 2 mahjong wins 3 menjadi diskusi madiun

komunitas ngawi mengulik detail animasi fitur putaran gratis mahjong ways 2

mengapa mahjong wins tetap diperbincangkan tengah perubahan tren game digital magetan

pacitan menyoroti identitas visual mahjong wins 3 melalui ubin emas naga scatter

persaingan kreatif pragmatic play pg soft mengembangkan tema mahjong banyuwangi

jember mengulas respons penggemar terhadap pembaruan fitur bonus mahjong ways

perjalanan desain ubin emas mahjong ways generasi awal hingga tampilan modern bondowoso

situbondo menjadi titik diskusi komunitas karakteristik visual mahjong wins

pengamat game probolinggo membahas simbol scatter hitam istilah maxwin budaya digital

sisi artistik mahjong ways menarik perhatian komunitas kreatif pasuruan

lumajang mengamati peran pg soft perkembangan game bertema asia smartphone

komunitas bangkalan membandingkan daya tarik visual mahjong tema digital lainnya

sampang menyoroti pengaruh konten media sosial terhadap popularitas mahjong ways 2

penggemar desain pamekasan mengulas tata letak simbol mahjong wins 3

sumenep cerita perkembangan istilah maxwin percakapan forum mahjong ways

pembaruan grafis pg soft menjadi topik hangat kalangan pengamat digital singaraja

bandung hingga jakarta perjalanan percakapan komunitas mahjong wins indonesia

gianyar mengulas hubungan istilah populer komunitas identitas visual mahjong ways

nuansa asia klasik karya pragmatic play menarik perhatian pengamat kreatif klungkung

bangli membahas kembalinya mahjong wins 3 percakapan simbol naga scatter

amlapura menyoroti perkembangan tampilan grafis mahjong ways 2 sudut pandang desain

forum digital berbagai wilayah indonesia menghidupkan diskusi mahjong ways

badung mengulas alasan scatter hitam mahjong wins 3 memiliki daya tarik visual tersendiri

mataram membandingkan pendekatan pragmatic play pg soft mengolah tema mahjong

komunitas praya menyoroti perubahan pembahasan putaran gratis mahjong ways

selong tren diskusi mahjong wins tengah munculnya game digital baru

kreator konten tanjung mengangkat cerita perkembangan mahjong ways media sosial

sumbawa besar membahas tiga elemen visual mahjong wins 3 ubin emas naga scatter

komunitas digital semarang menelaah pengaruh animasi terhadap identitas game mahjong modern

yogyakarta menjadi sorotan diskusi perpaduan tradisi asia teknologi game

pengamat surabaya mengulas perubahan gaya ilustrasi seri mahjong digital

makassar membahas peran komunitas online menyebarkan tren konten mahjong

medan hingga palembang perbedaan perspektif penggemar terhadap visual mahjong ways

denpasar menyoroti perkembangan narasi budaya asia desain game mahjong kontemporer

sweet bonanza kabupaten pangkajene kepulauan mengenal mekanisme fitur putaran gratis

gates of olympus kabupaten muara enim perpaduan kisah mitologi teknologi animasi modern

lucky neko kota langsa cara simbol tradisional menyesuaikan diri selera generasi digital

wild bandito mahjong ways kabupaten garut perbandingan dua karakter visual berbeda

warga kabupaten lebak mengkaji cara membedakan klaim permainan informasi memiliki bukti

mahjong wins kota tanjungbalai menelaah fungsi simbol membentuk pengalaman visual

mengapa efek cahaya sering muncul fitur bonus pengamatan kabupaten tapanuli utara

lucky neko kabupaten hulu sungai selatan kombinasi karakter animasi ornamen bernuansa emas

gates of olympus kabupaten aceh besar memahami konsep peluang tanpa bergantung ramalan

sweet bonanza kota gorontalo menelusuri peran desain ceria membentuk identitas game

wild bandito kabupaten halmahera utara eksplorasi tema petualangan format interaktif

mahjong pgsoft kabupaten musi banyuasin perubahan pengalaman pengguna saat bermain melalui layar ponsel

princess starlight kota palangka raya mengulas fungsi cahaya elemen penceritaan

lucky neko sweet bonanza perbedaan pendekatan warna membangun identitas desain

warga kabupaten ende menelusuri pengaruh cerita budaya terhadap pembentukan karakter game digital

mengapa pemain lebih mudah mengingat kemenangan besar penjelasan bias ingatan kota madiun

bukan hanya hiburan warga kabupaten bekasi membahas pentingnya memahami batas pengeluaran digital

mahjong ways kabupaten magetan contoh memahami fenomena ilusi pola hasil acak

gates of olympus kota pagar alam menguraikan kesalahpahaman prediksi hasil permainan

warga kabupaten flores timur mengamati pengaruh notifikasi terhadap perhatian pengguna ponsel

sweet bonanza kota sukabumi membahas perbedaan ekspektasi pengguna peluang

wild bandito mahjong wins mengapa perbedaan desain bisa menarik kelompok pengguna beragam

lucky neko kabupaten tanah laut mengkaji simbol keberuntungan perspektif lintas budaya

literasi digital kabupaten sumbawa memahami rtp agar tidak terjebak penafsiran keliru

princess starlight kota tegal menelaah kontribusi tokoh pengalaman hiburan interaktif

klungkung menyoroti perpaduan estetika tradisional teknologi digital mahjong ways

analisis fitur bonus interaktif mahjong wins 3 sudut pandang komunitas bangli

bagaimana pg soft mengubah persepsi terhadap mahjong tradisional kalangan penggemar amlapura

menelusuri perjalanan mahjong digital pasar indonesia bersama pengamat game badung

perbandingan gaya visual pragmatic play pg soft pembahasan komunitas mataram

pengalaman komunitas praya saat mengulas karakteristik simbol scatter mahjong wins

mengapa mahjong ways 2 tetap menarik dibahas penggemar game digital selong

tanjung menjadi bagian diskusi karakteristik fitur mahjong wins 3

evolusi desain ubin emas seri mahjong modern menurut pengamat sumbawa besar

komunitas dompu membandingkan tampilan mahjong wins berbagai perangkat digital

pesona tema naga mahjong bima perspektif seni desain visual

kupas perbincangan komunitas kupang fitur putaran gratis mahjong ways

ende mengulas daya tarik grafis animasi perkembangan mahjong digital

bagaimana game mahjong pg soft mendapat perhatian penggemar maumere

ruteng membandingkan karakteristik fitur utama mahjong ways mahjong wins

simbol scatter hitam mahjong wins 3 menjadi topik diskusi penggemar labuan bajo

waingapu mengamati perkembangan industri game digital bertema budaya asia

mengenal alur fitur mahjong ways 2 melalui perspektif pemula atambua

soe menyoroti peran animasi modern membangun identitas visual mahjong wins

mengapa game mahjong digital menarik perhatian generasi muda kefamenanu

kalabahi membahas perpaduan nuansa klasik teknologi mahjong wins 3

pengamat audio larantuka mengulas peran efek suara game mahjong modern

tren game kasual bertema tradisional menarik perhatian komunitas batam

tanjungpinang membahas cara mengenali karakteristik fitur mahjong ways

fungsi multiplier mahjong wins menurut komunitas digital pontianak

permainan tradisional layar digital perjalanan mahjong sorotan singkawang

sintang mengulas perkembangan kualitas grafis seri mahjong pg soft

cerita komunitas ketapang perubahan tren mahjong ways platform digital

samarinda menelaah karakteristik fitur putaran gratis mahjong wins 3

balikpapan menjadi ruang diskusi penggemar evolusi game bertema mahjong

tarakan mengulas identitas visual mahjong wins tengah perkembangan game asia

banjarmasin menyoroti peran komunitas membahas mahjong ways 2

mengenal karakteristik simbol mahjong digital bersama pengamat palangka raya

banjarbaru membahas pengaruh perangkat pintar terhadap perkembangan mahjong digital

nuansa klasik mahjong wins kembali dibahas komunitas game bontang

tenggarong mengulas perkembangan fitur interaktif seri mahjong modern

singaraja menelusuri inspirasi seni balik desain visual mahjong pg soft

denpasar membahas kualitas tampilan mahjong digital berbagai jenis ponsel

gianyar mengamati cara unsur budaya diadaptasi desain mahjong modern

klungkung kembali menyoroti mahjong wins 3 diskusi komunitas digital

nilai filosofis simbol ubin mahjong menjadi bahasan pengamat budaya bangli

amlapura membandingkan mekanisme mahjong genre game digital lainnya

istilah populer komunitas mahjong menjadi topik diskusi negara

badung mengulas standar grafis definisi tinggi perkembangan game mahjong

mataram membahas animasi efek visual saat fitur bonus mahjong ways aktif

mengapa game bertema asia terus menarik perhatian komunitas digital praya

kontribusi pragmatic play mengembangkan variasi tema mahjong menurut pengamat selong

tanjung menyoroti perkembangan fitur putaran gratis seri mahjong digital

sumbawa besar membahas perbedaan karakteristik antargenerasi game mahjong

makna simbol naga mahjong wins 3 sudut pandang desain visual dompu

bima mengulas faktor membuat tema mahjong bertahan tengah perubahan tren

perbedaan pendekatan visual pengembang mahjong menjadi bahasan komunitas kupang

ende menyoroti kenyamanan antarmuka pengguna game mahjong modern

maumere membahas respons komunitas terhadap pembaruan seri mahjong digital

ruteng menelusuri kreativitas pengembang mengadaptasi unsur budaya asia

labuan bajo mengulas cara game mahjong digital memadukan tradisi teknologi

waingapu membahas perubahan perspektif penggemar terhadap fitur mahjong wins 3

atambua menyoroti daya tarik visual simbol emas seri mahjong ways

komunitas penggemar mahjong soe membahas perkembangan tren game digital

kefamenanu mengulas kolaborasi seni tradisional teknologi game mahjong

kalabahi menyoroti pengalaman bermain bersama melalui fitur daring mahjong

pengaruh pengaturan audio terhadap atmosfer mahjong wins menarik perhatian komunitas larantuka

batam membahas peran kemajuan teknologi meningkatkan kualitas game mahjong

tanjungpinang mengulas pengalaman visual mahjong ways 2 melalui grafis tiga dimensi

pontianak menyoroti penggunaan warna cerah identitas mahjong modern

makna fitur khusus mahjong wins 3 menjadi bahasan komunitas singkawang

sintang mengulas standar pengembangan visual industri game mahjong digital

ketapang menelusuri transformasi mahjong permainan tradisional menuju era digital

samarinda membahas perkembangan mahjong bagian tren hiburan digital

mahjong wins kabupaten bener meriah menelaah perbedaan visual permainan perhitungan hasil

gates of olympus kota pariaman mengungkap kisah zeus pengaruhnya budaya populer

princess starlight kabupaten bantaeng mengenali peran tokoh identitas permainan

sweet bonanza kabupaten polewali mandar memahami aturan dasar mekanisme efek berantai

warga kota sibolga mengulas mengapa pola terlihat tidak selalu menunjukkan hubungan sebab akibat

lucky neko kabupaten tolitoli menelusuri makna simbol kucing hiburan digital

wild bandito kabupaten batubara mengenal tema petualangan melalui perpaduan warna kontras

mahjong pgsoft kota sawahlunto mengamati adaptasi unsur tradisi presentasi modern

gates of olympus memahami perbedaan angka multiplier ditampilkan nilai pembayaran

sweet bonanza kabupaten sidenreng rappang perpaduan animasi dinamis ilustrasi penuh warna

mengapa kisah kemenangan cepat menyebar warga kota bontang mengamati fenomena viral media sosial

lucky neko kabupaten dompu mengenal inspirasi kucing pembawa keberuntungan jepang

wild bandito kabupaten seram bagian barat mengulas ciri khas visual bertema petualangan

mahjong ways kota payakumbuh memahami mekanisme tumble melalui penjelasan objektif

princess starlight kabupaten klaten menilik perkembangan konsep dunia fantasi permainan seluler

news-1701