How African Musicians Can Break Into Music Libraries for Sync Opportunities

For African musicians, the rise of Afrobeat, Amapiano, and Highlife has put the continent’s sound on the global stage. But streaming royalties from platforms like Spotify or Audiomack often fall short of a sustainable income. Enter music libraries: curated catalogs of pre-cleared tracks licensed for TV shows, films, commercials, and video games. Sync placements—when your music is used in media—can mean upfront fees, ongoing royalties, and massive exposure. Think of Burna Boy’s tracks in a Netflix series or Tems’ vocals in a global ad campaign. This guide breaks down how African artists can find music libraries, pitch their music, and secure sync deals. Let’s dive in.

Why Music Libraries Matter for African Musicians

Music libraries are the middlemen between artists and media producers. They supply directors, ad agencies, and game developers with ready-to-use tracks, saving them the hassle of negotiating licenses. For African musicians, libraries are a goldmine. A single placement in a Hollywood film or a global ad can earn thousands of dollars in fees and royalties, far outpacing streaming payouts (Spotify pays ~$0.003 per stream). Plus, syncs boost your visibility—imagine your Afrobeat track in a Marvel trailer reaching millions. The challenge? Finding libraries open to African genres and pitching in a way that stands out.

Step 1: Finding Music Libraries

Music libraries range from boutique outfits to massive platforms, each with different submission processes. Here’s how to track down the right ones for African music.

Major Music Libraries

• Audio Network (audionetwork.com): A global library with 200,000+ tracks, including Afrobeat and African folk. They work with Netflix, BBC, and ad agencies. Submit via their A&R form: audionetwork.com/submit-your-music.
• Music Vine (musicvine.net): Known for cinematic and electronic music but expanding into African genres. Pitch through their submission portal: musicvine.net/submit.
• Epidemic Sound (epidemicsound.com): A giant with 40,000+ tracks, used in YouTube and TV. They’re open to African music but selective. Apply at epidemicsound.com/artists/submit.
• Artlist (artlist.io): Popular for film and YouTube, with a growing African catalog. Submit via artlist.io/submit-music.
• Marmoset (marmosetmusic.com): A boutique library with a curated vibe, open to unique African sounds. Pitch at marmosetmusic.com/artist-submissions.

Africa-Focused Libraries

• Chezaa Africa (chezaa.africa): A Kenyan platform distributing to 200+ stores, including sync libraries. They connect African artists to global opportunities. Contact: support@chezaa.africa.
• Afrisounds (afrisounds.co.uk): A UK-based distributor specializing in African music for sync. Submit via afrisounds.co.uk/contact.
• Fresible (fresible.com): A Nigerian service pitching to Boomplay and sync libraries. Email: support@fresible.com.

Finding Independent Libraries

• Search Online: Use Google with terms like “music libraries accepting African music” or “sync licensing Afrobeat.” Check blogs like Hypebot (hypebot.com) or Music Library Report (musiclibraryreport.com) for updated lists.
• Social Media: Search Instagram and Twitter for hashtags like #MusicLicensing or #SyncMusic. Follow curators like @SyncSummit or @MusicSupervisors for leads.
• Industry Events: Attend virtual or in-person events like Sync Summit (syncsummit.com) or Midem Africa (midem.com) to network with library owners.
• Tools: Use DistroKid’s Sync (distrokid.com/sync) or Tunecore’s Sync Licensing (tunecore.com/sync-licensing) to pitch to libraries via their networks.

Step 2: Crafting the Perfect Pitch

Library curators are picky—they want high-quality tracks that fit their catalog and client needs. Here’s how to pitch like a pro:

• Research the Library: Listen to their catalog to ensure your music fits. For example, Audio Network has upbeat Afrobeat tracks—submit similar vibes. Mention specific tracks in your pitch: “My song’s energy aligns with [Track X] in your catalog.”
• Quality Matters: Submit professionally mixed and mastered tracks. Libraries reject low-quality recordings. Use tools like LANDR (landr.com) for affordable mastering if needed.
• Instrumentals Are King: Most syncs need instrumentals or tracks with minimal vocals to avoid clashing with dialogue. Always include an instrumental version.
• Metadata Is Crucial: Embed your tracks with metadata (artist name, genre, mood, BPM) using software like iTunes or Audacity. Libraries rely on searchable tags like “Afrobeat, upbeat, 120 BPM” to match tracks with projects.
• Keep It Short: Write a 100–150-word email introducing yourself, your genre, and why your music suits their catalog. Include 2–3 streaming links (SoundCloud, Dropbox, or private Spotify links) and a brief bio (e.g., “Lagos-based Amapiano producer, featured on OkayAfrica”).
• Follow Guidelines: Some libraries, like Marmoset, have specific submission forms. Ignoring these kills your chances.
• Own Your Rights: Libraries require 100% ownership of your master and publishing. Avoid submitting tracks with uncleared samples or co-writers unless you have written permission.

Sample Pitch Email:

Subject: Afrobeat Submission for Audio Network Catalog

Hi [Curator Name],

I’m [Your Name], a Nairobi-based Afrobeat producer blending vibrant percussion with modern grooves. My tracks, like [Song Name], share the infectious energy of [Track X] in your catalog, perfect for ads or TV. I’ve been featured on OkayAfrica and have 5k streams on Boomplay.

Links to my tracks (instrumental versions included):
- [Song 1 Link]
- [Song 2 Link]

I own 100% of the master and publishing. Let me know if you need more details or WAV files. Excited about the possibility of joining Audio Network!

Best,
[Your Name]
[Instagram/Twitter: @YourHandle]

Step 3: Contacting Music Libraries

Here’s where to reach out, with tips for each platform. Always verify contact info, as it can change.

Major Libraries

• Audio Network: Submit via audionetwork.com/submit-your-music. No direct email, but follow @AudioNetwork on Twitter for A&R updates.
• Music Vine: Use musicvine.net/submit. DM @MusicVine on Instagram for a warm intro.
• Epidemic Sound: Apply at epidemicsound.com/artists/submit. Check their blog for submission tips: epidemicsound.com/blog.
• Artlist: Submit via artlist.io/submit-music. Engage with @Artlist.io on Instagram for visibility.
• Marmoset: Pitch at marmosetmusic.com/artist-submissions. Follow @MarmosetMusic on Twitter for curator Q&As.

Africa-Focused Platforms

• Chezaa Africa: Email support@chezaa.africa with a bio and track links. They distribute to sync libraries globally.
• Afrisounds: Contact afrisounds.co.uk/contact. Mention your genre and sync goals.
• Fresible: Email support@fresible.com. They pitch to African and international libraries for a fee (~₦100,000).

Networking Tips

• LinkedIn: Search for music supervisors or library A&R reps. Connect with a personalized note: “I’m an Amapiano artist interested in sync opportunities.”
• Instagram/Twitter: Follow library accounts and engage with their posts. Swipe up on stories for a casual intro.
• Forums: Join Gearspace (gearspace.com) or Reddit’s r/SyncLicensing to ask about open libraries and share tips.

Step 4: Tools and Resources

• DistroKid Sync (distrokid.com/sync): Distributes to 200+ libraries for $12/year.
• Tunecore Sync (tunecore.com/sync-licensing): Pitches to libraries for a cut of royalties.
• Songtrust (songtrust.com): Manages sync publishing and pitches to libraries globally.
• Sync Summit (syncsummit.com): Virtual events connecting artists with library curators ($100–$500 for tickets).
• Music Library Report (musiclibraryreport.com): Reviews 500+ libraries, with submission details ($47/year).
• Hypebot (hypebot.com): Blogs on sync trends and library opportunities.
• LANDR (landr.com): Affordable mastering for sync-ready tracks ($9–$49/month).

Step 5: Tips for Success

• Diversify Your Catalog: Submit tracks in multiple genres (e.g., Afrobeat, Highlife, cinematic African folk). Libraries need variety.
• Create Sync-Friendly Tracks: Produce songs with clear intros, builds, and endings. Tracks 30–120 seconds long work best for ads and trailers.
• Understand Contracts: Libraries offer exclusive (you can’t pitch elsewhere) or non-exclusive deals. Non-exclusive is better for flexibility but pays less upfront. Read terms carefully—some take 50% of royalties.
• Follow Up: If no response after 2–3 weeks, send a polite follow-up email. One is enough—don’t spam.
• Avoid Scams: Never pay to submit tracks. Legit libraries earn from licensing, not artist fees.
• Track Placements: Use Songtrust or BMI/ASCAP (bmi.com, ascap.com) to monitor sync royalties. Register your tracks with a PRO (Performing Rights Organization) like COSON in Nigeria.
• Leverage Your Network: A friend landed a sync deal after connecting with a music supervisor at Midem Africa. Attend events or join online communities to build relationships.

Challenges and Real Talk

Music libraries are competitive. Major players like Epidemic Sound get thousands of submissions monthly, and African genres are still underrepresented in some catalogs. Curators prioritize tracks that are instantly usable—poor mixing or uncleared samples will get you rejected fast. Data costs in Sub-Saharan Africa can also make uploading high-quality WAV files a pain. Use Wi-Fi or subsidized data bundles (e.g., MTN Nigeria’s Audiomack partnership) to save costs. Finally, sync deals take time. I know an artist who pitched for six months before landing a track in a local ad. Patience and persistence are non-negotiable.

Final Thoughts

Music libraries are a powerful way for African musicians to monetize their talent and reach global audiences. From Audio Network’s vast catalog to Chezaa Africa’s local expertise, there’s a library for every genre and career stage. Research diligently, polish your tracks, and pitch with precision. Your next Amapiano banger could end up in a Hollywood blockbuster or a global ad campaign, earning you royalties while you sleep. Start small, stay consistent, and keep creating. The sync world is waiting for Africa’s sound.

Got questions or sync success stories? Share them below—I’d love to hear how you’re cracking the music library game!